Merry Christmas 2023!
Greetings, the year has flown in and Christmas Eve is here once again! As such, I’d like to wish you a Merry Christmas for tomorrow and hope you have a good day taking it easy. We had a great Write Wise challenge this year to celebrate the occasion. It finished off a brilliant year that had some excellent pieces from each writer. I’m looking forward to what new works will come about in 2024 and will need to start thinking of my own projects in the coming weeks. There is one blog update left for 2023 in which I’ll round up the year’s entertainment but have a Happy Christmas before then!
Quote of the Day
Hello, Bedford Falls! Merry Christmas! Merry Christmas, movie house! Merry Christmas, Emporium! Merry Christmas, you wonderful old Building and Loan! Hey! Merry Christmas, Mr. Potter!
George Bailey
It’s a Wonderful Life
Devour
Greetings, ‘Devour’ is a co-operative horror game from 2021 that was developed and published by Straight Back Games. The Edinburgh based company is fairly new, having only come into existence in 2019 when it was started by Joe Fender and Luke Fanning. They have one other title in their completed works to date which was released a year earlier in 2020. That other game is called ‘The Watchers’ which looks to be fairly similar to ‘Devour’ in terms of gameplay and subject matter. While ‘Devour’ has a maximum of 4 players, ‘The Watchers’ is limited to 2 as the players take on the roles of a brother and sister team as they stealthily evade cultists while trying to unravel the mystery behind their mother’s disappearance.
The plot of ‘Devour’ is very simplistic as it was never intended to be the main selling point of the game and it is effectively the same in all the variations of maps the players can explore. The players belong to a satanic cult called ‘The Watchers of Azazel’ and one of their fellow cultists has been possessed by the malevolent entity known as Azazel. They must banish and excise the demonic presence by destroying a total of 10 totems or ritual items. These totems differ in each of the five maps but they consist of sacrificial possessed goats, pigs and mice as well as inanimate objects such as spider eggs and books. The livestock need to be lured towards the player by placing food such as hay or a bowl of food.
As aforementioned, there are five maps at present with more due to be added in the future. The first of these is the Farmhouse which is haunted by Anna, the Asylum is watched over by Molly while the Inn has a particularly creepy antagonist in Zara, an arachnophobia sufferer’s worst nightmare. The Western setting of the Town is the undead gunslinger Sam’s terrain while Nathan lords over the Slaughterhouse. After each totem is destroyed, the difficulty is ratcheted up a bit more as the enemy becomes increasingly more deformed and faster paced. The bosses are aided in their attempts to kill the players with their ghoulish minions who have to be repelled by focusing a flashlight on them before the battery runs out.
‘Devour’ is definitely a fun game but after the player gains the satisfaction of figuring out how to beat the antagonists, it loses its appeal a bit which is probably the same for any game of its ilk. The characters do have backstories in their bios although little is done to distinguish them from any of the other choices in actual gameplay. There is also a minor set of objectives in each map as the player is tasked with locating 25 hidden objects which have been scattered about. This is much harder than would initially be believed as the player is often trying to outrun the possessed cult leader or is overrun by smaller enemies. This game apparently shares the same universe as ‘The Watchers’ which I might check out at some point.
Plot = 5/10
Characters = 5/10
Graphics = 7/10
Overall= 7/10
Quote of the Day
To my dear Prince Alexis... I did not "usurp" the crown. I found it, in the gutter, and I, I picked it up with my sword, and it was the people, Alexis, the people who put it on my head. He who saves a nation violates no law.
Napoleon Bonaparte
Waterloo
The Quiz Part 15
Greetings, November has rolled around again and that means I’m back once more with the quiz! Last year Joh took 1st place by getting all but one question right while Mark and Aaron came tied in 2nd position by answering 6 questions correctly. I’ve tried to balance out the quiz and appeal to all players with at least one question tailored with them in mind but there are some general, trickier questions in there as well. So have a go and test your wits! Don’t forget to avoid the spoilers below and put your scores in the comments. Good luck!
1. Which comedic Canadian-American actor was the voice talent behind the antagonist known as Benny in the 2010 video game ‘Fallout: New Vegas’
2. Who said this? – ‘I'll be back.’
3. Infamous criminals Burke and Hare have remained in the public conscience for their body snatching activities and a series of murders they committed in 1828 but in which British city did they commit their heinous crimes?
4. Which of the following works was not written by horror novelist H.P. Lovecraft? – A. ‘The Rats in the Walls’ B. ‘The White Ship’. C. ‘The Dunwhich Horror’. D. ‘The Evil Clergyman’ E. ‘Casting the Runes’
5. On Wednesday 24th November an anonymous skyjacker, who has since become known as D.B. Cooper, parachuted out of a plane with $200,000 in ransom money but what year did this high profile crime take place in?
6. In the ‘Horrified’ board game, players take on classic Universal Monsters including Frankenstein, the Bride of Frankenstein, the Wolfman, Dracula, the Creature from the Black Lagoon and the Invisible Man but which villainous creature is missing from this list?
7. Name the character.
8. Unscramble the letters to reveal an actress – IDOJE TFORES
9. In my entry for the 2021 Write Wise Challenge, Rigby Denholm wants to head home for Christmas but what kind of monstrous critters, known for dismantling machinery, attack his train?
10. As of 2023, Jordan Peterson has written three main books including ‘Maps of Meaning: The Architecture of Belief’ and ’12 Rules for Life: An Antidote for Chaos’ but what is the tile of the third work?
Spoilers!
1. Matthew Perry
2. The Terminator / T-800
3. Edinburgh
4. E. ‘Casting the Runes’
5. 1971
6. The Mummy
7. The Driver
8. Jodie Foster
9. Gremlins
10. Beyond Order: 12 More Rules for Life
Quote of the Day
What must it be like not to be crippled by fear and self-loathing?
Chandler Bing
Friends
Ghostbusters: Afterlife
Greetings, ‘Ghostbusters: Afterlife’ is a 2021 supernatural film that was directed by Jason Reitman who took over the reins of the franchise after his father Ivan’s beloved cinematic hits took pop culture by storm back in the 1980s. After a 32 year gap from where the story was left off in the late 80s, ‘Afterlife’ is considered the third film of the series that started all the way back in 1984. The movie ushered in a new era of actors and actresses to the iconic boiler suit wearing ghostbusting team with Mckenna Grace, Finn Wolfhard and Logan Kim being the core members. There other stars include Carrie Coon, Paul Rudd, Celeste O’Connor and some cameo roles from the original cast who helped cement this latest instalment as a continuation of the saga. The music was composed by Rob Simonsen who expertly incorporated themes and motifs from Elmer Bernstein’s earlier score.
The film begins in the dead of night as Egon Spengler is driving away from a mine at furious speed. As his truck roars through rural America, it is clear he is being chased by an invisible entity and his blinking ghost trap implies he has captured a malevolent spirt. The vehicle flips over during the chase and the aging Spengler climbs out of it, making a run for his remote shack with the trap in his hand. He reaches his wooden deck and kicks a power grid to life that will ignite a trap surrounding his house. The ghostly footprints make impressions on the soil and Egon pulls a lever to snare the apparition. The power fails at the crucial moment and despite his best efforts, he can’t get it to work again so he runs inside his house where he conceals the occupied ghost trap underneath the floorboards. With nothing else to do but bid his time, Egon sits down in his armchair and patiently waits for the monster to attack him as he knows it will. He is equipped with his trusty P.K.E. Meter to monitor any spectral activity in the area as he sits.
A white mist slowly seeps in from the fireplace and an outline of a creature can be seen to rise behind Egon before it quietly subsides into nothingness. Demonic arms reach out of the armchair and restrain him. A bright light flies over the dilapidated farmhouse like a comet indicating the creature was caught by some unseen trap. The silent meter falls from Egon’s unmoving hand and lands on the floor. After a moment, the P.K.E. Meter chirps up again and the blinking lights suggests that a new ghostly presence has entered the house. Some days later, the financially struggling Callie Spengler inherits and moves into the farmhouse with her two children Phoebe and Trevor after being unable to stay in her Chicago apartment. Her relationship with her father had been non-existent as Egon had become increasingly withdrawn from everyone and it is apparent that his grandchildren knew nothing of the man he was. It isn’t long before the intellectually gifted Phoebe starts to notice some unusual phenomenon happening around the house that defies rational thinking.
I enjoyed this movie, even after significant hype which can ruin many a picture, and felt it had a great opening which set the rest of the story up perfectly. While I realise that it was not a perfect addition, it treated its previous entries with the respect they deserved and nicely added to what came before. It importantly gave Egon a touching send off after Harold Ramis, the well renowned actor behind the character, passed away in 2014. ‘Afterlife’ brought a bit of charm back to the series after Paul Feig’s much maligned all-female reboot came out in 2016 to a barrage of criticism. The 2021 version wisely ignored the former iteration which had been the focus of an early battle in the Culture Wars that gripped the Western world in the early 2010s. Overall, parts of ‘Afterlife’ felt a bit underdeveloped or rushed but I believe it would have pleased most fans, old and new alike, and I would consider myself a satisfied customer as well.
Plot=7/10
Characters=7/10
Special Effects=8/10
Overall=8/10
Quote of the Day
Mulder, it is such a gorgeous day outside. Have you ever entertained the idea of trying to find life on this planet?
Dana Scully
The X-Files
Full Dark, No Stars
Greetings, ‘Full Dark, No Stars’ is a set of stories written by famed horror author Stephen King and was initially released in 2010. The four stories are unconnected to each other but share the same theme of retribution which gives the book a sense of cohesiveness. While he has written many collections of short stories in prior years, this was King’s third compilation of four sizeable works contained within the one book after he published ‘Different Seasons’ in 1982 and ‘Four Past Midnight’ in 1990. The stories in ‘Full Dark, No Stars’ are ‘1922’, ‘Big Driver’, ‘Fair Extension’ and ‘A Good Marriage’. Some editions that had been published in 2011 also include the additional short story of ‘Under the Weather’ which is about a married advertiser who’s fragile mind prevents him for accepting the awful truth of his situation and his attempts to hide from reality.
The plot of ‘1922’, which is probably the most well-known of the aforementioned stories, starts with the character of Wilfred James writing out a confession to a gruesome crime he committed in that same year. Wilfred introduces himself as a farmer who lived with his wife, Arlette, and their son, Henry, on their farmstead in Nebraska. 80 acres of the land belong to Wilfred while another 100 acres was inherited by Arlette. The discrepancy in the amount of land becomes a source of contention between the two especially when Arlette, using her position as the inheritor of the larger swathe of land, leverages this fact in her attempts to leave rural Nebraska and live as a city dweller in Omaha. After failing to convince Wilfred to move out in accordance with her dream, Arlette seeks to sell her land to a livestock firm that have plans to build a slaughterhouse on their turf. The outcome would result in Wilfred’s acreage becoming effectively useless, forcing him to sell his land and ensure Arlette would get her way in the end.
With no method of reigning Arlette in or dissuading her from her chosen path, Wilfred begins to poison the mind of his son against his mother for his own benefit. He carefully manipulates Henry into seeing things his way and plays on his son’s deepest fears with a great level of success. In particular, Wilfred stresses the very real possibility that Arlette’s decision would split up Henry and his youthful paramour. The neighbouring Shannon Cotterie had stolen the young Henry’s heart and the thought of being separated from her was torment for the boy. With the seeds firmly planted in his son’s mind, Wilfred slowly conspired with Henry and gets him to eventually accept a nefarious plan. The only way to prevent Arlette from destroying their idyllic lives was to remove her from the picture completely. Once Wilfred has convinced Henry that there was no other way to do this, he is eventually talked into the committing the act of matricide. Unfortunately for Wilfred, he discovers that sometimes the dead don’t always stay that way and sometimes they come back for revenge.
As with most of King’s projects, three of the four stories were adapted into films. ‘A Good Marriage’ and ‘Big Driver’ didn’t make much of an impression among audiences with the latter being debuted as a television movie but ‘1922’ made more of an impact when it was released as a Netflix original. The 2017 film was directed by Zak Hilditch and starred Thomas Jane as Wilfred, Molly Parker as Arlette, Dylan Schmid as Henry and Kaitlyn Bernard as Shannon. I found the movie to be quite an effective adaptation that stayed faithful to the written source material that inspired it. While the stories comprising ‘Full Dark, No Stars’ aren’t among Stephen King’s most compelling pieces they are still an entertaining and, at times, a rather grim read. I’d certainly recommend it to anyone who gets a kick out of the celebrated author’s bibliography and is looking to get their fix.
Plot=7/10
Characters=7/10
Wording=8/10
Overall=7/10
Quote of the Day
Things are never so bad they can't be made worse.
Charlie Allnut
The African Queen
Seinfeld
Greetings, ‘Seinfeld’ is an American sitcom that ran from 1989 to 1998 and is the product of a creative collaboration from comedians Jerry Seinfeld and Larry David. The programme went on for 9 seasons, which were comprised of 180 episodes in total, and became an entertainment sensation during its run with its impact still lingering on in pop culture today. The show stars the aforementioned Jerry Seinfeld, Julia Louis-Dreyfus, Jason Alexander and Michael Richards as its four central leads who are mostly known for their ties to this franchise. Interestingly, the actors’ perceived lack of success in launching other programmes following on from Seinfeld gave rise to the notion of ‘The Seinfeld Curse’ in which the careers of those associate with the series were doomed to stagnate. Other actors involved in ‘Seinfeld’ include Wayne Knight, Barney Martin, Liz Sheridan, Estelle Harris and Jerry Stiller to name a few of the many who came to work on the series. The music was conducted by Jonathan Wolff who often interspersed Jazz and Blues into the sitcom.
The show begins with best friends Jerry Seinfeld, a stand-up comedian, and George Costanza, a real estate broker, in a New York City luncheonette as they discuss mundane topics. That particular morning they are having a much more in depth conversation about the placement of George’s shirt buttons than is warranted, highlighting early on the show’s intention to be humorous about workaday things and the minutia of daily life. The topic then switches over to a woman called Laura who Jerry had met during one of his stand up acts in Michigan. She is coming to visit New York and would like to see Jerry again when she arrives which causes him to wonder if her intentions are romantic in nature. Jerry and George put their heads together and try to analyse Laura’s previous behaviour to determine whether it is a platonic meeting or if something more could be gleamed from it. The following evening Jerry also tries to get a viewpoint on the situation from his eccentric neighbour Kramer whose opinions don’t clarify it much further.
Rather, it seems Kramer is more interested in lounging about in the neighbouring apartment and raiding Jerry’s fridge than of being any potential use. Jerry receives a phone call from Laura. She asks if she can stay at his place over the weekend when she lands in the city to which he, becoming increasingly convinced she is sending signals, agrees. Laura meets Jerry at the airport and he brings her back to his place where she gets herself comfortable by removing her shoes, discards excess clothing and partakes in his offering of wine. While she dims the lights Jerry makes up his mind that she is interested in him and he prepares to make his move. As he does, Laura receives a phone call from an unidentified person that she answers. Laura advises Jerry to never get engaged once the phone call is over and inadvertently solves his dilemma. With no possibility of pursuing romance, an annoyed Jerry realises he is stuck hosting a woman he has no other interest in for the rest of the weekend.
The pilot episode is a bit strange as it includes three of the main characters including Kramer, who became the breakout character thanks to his crazed shenanigans and slapstick routine, but it is missing the fourth member. Julia’s Elaine Benes was not present as the ‘woman character’ in the group as this was originally going to be played by another actress named Lee Garlington who appeared in the pilot as a waitress but was written out of the programme from then on. While I liked the series and can see the mass appeal of it, ‘Seinfeld’ declined in quality in my opinion after Larry David left with the characters steadily becoming caricatures of themselves. The much anticipated finale is also a divisive aspect among fans as while it had good calls backs to previous seasons, which I appreciated, it is effectively a glorified clip show in which the main characters oddly have little to do and are arguably not the main focus of the plot. Nonetheless, I’m glad I gave the series a watch but would certainly note that it wouldn’t be to everyone’s tastes.
Plot=7/10
Characters=8/10
Special Effects=6/10
Overall=7/10
Quote of the Day
I am God of the new world!
Light Yagami / Kira
Death Note
